Serratos is known for playing Bella’s best friend Angela Weber in the Twilight Saga movies. I wonder if she will use peer pressure to try and convince Bella to test out the contents in one of her little green boxes. Smoking is bad mmkay?

Peer Pressure

Anyway… Before I slipped into my PJs (who am I kidding, I’ve been in my PJs for almost five years) and a bottle of Jim Beam, I wanted to share Helen Hunt’s epic camel toe with you. It’s not pretty, but it’s pretty amazing. Check it out below.

There is still no word on a new Trancers film. Charles Band and Full Moon are currently working on Killer Eye 2.

Russel Crowe used the “I have a jewish friend” defense by reaching out to his Hollywood friends after sparking a debate over circumcision on twitter. Crowe tweeted that snipping a baby’s peen is “barbaric and stupid,” after a pregnant follower asked him for advice about her unborn child.

“Circumcision is barbaric and stupid. Who are you to correct nature?” the Oscar winner wrote Thursday. “Is it real that God requires a donation of foreskin? Babies are perfect.”

Eli Roth jumped to Crowe’s defense after The Hollywood Reporter called him antisemitic, “HOW DARE YOU call Russel Crowe antisemitic? What is WRONG with you? We are FRIENDS. Friends joke and tease each other,” Roth tweeted. “This is SICK

Roth then attacked the press for using celebrity tweets as news, as if tweets are not direct quotes from the actors themselves.

“Using tweets and poisoning a very good person’s name. Why do you think no one takes newspapers seriously anymore?”

After telling his followers who did not agree with him to “fuck off” Crowe eventually apologized.

“I have a deep and abiding love for all people of all nationalities. I’m very sorry that I have said things on here that have caused distress. My personal beliefs aside I realize that some will interpret this debate as me mocking the rituals and traditions of others. I am very sorry.”

DISCLAIMER: This article does not contain proper grammar, fact checking and no babies were harmed during its creation.

Not backing down to criticism from his fellow Twitter followers, Ellis further explained his original tweet, blaming Chris Colfer for his unclean feeling.

“No, I wasn’t drunk last night. I was watching Chris Colfer singing, um, ‘Le Jazz Hot’ and felt like I had suddenly come down with the hivs.”

Colfer plays a homosexual character on the show.

In related news, Flav’s Fried Chicken opened Monday in Clinton, Iowa. “My chicken ain’t no joke. I ain’t scared to go up against the Colonel, tastewise..” said Flav! Check out the NSFW Chain Letter clip, the trailer and the commercial for Flav’s Fried Chicken below!

Bite the fowl! Yummy!

When a group of tech-savvy high school pals receives an electronic chain letter that demands they each forward the message or face consequences, they laugh it off as an online prank and delete the posts. But when the deranged sender of the message starts hunting them down one by one, they find themselves in a fight for their lives.

Buy Chain Letter Here

The couple met on the set of the Showtime drama in which they play siblings.

In other Dexter news: Michael C. Hall was nominated for a Golden Globe and the show was nominated for Best television series, drama along with AMC’s The Walking Dead.

David Arquette and Courteney Cox are back in the news, not for Scream 4, but for taking a break from their 11 year marriage.

People.com says that “things didn’t seem right” on the set of Scream 4 for the couple. “The pair put on a united front for daughter Coco, 6, but often retreated to separate trailers between takes.”

A source from the set told the magazine, “it seemed like the worst-kept secret that things were weird between them.”

TMZ claims that Arquette has already found a rebound piece, Jasmine Waltz. Sources close to Arquette told the website that he started seeing Waltz soon after he and Cox decided to take a “trial separation.”

For more on why Arquette and Cox split, pick up this week’s issue of People, on newsstands Friday.

Thank god I already have a subscription!

“You’ve got to remember: I worked on Piranha 2 for a few days and got fired off of it; I don’t put it on my official filmography. So there’s no sort of fond connection for me whatsoever. In fact, I would go even farther and say that… I tend almost never to throw other films under the bus, but that is exactly an example of what we should not be doing in 3D. Because it just cheapens the medium and reminds you of the bad 3D horror films from the 70s and 80s, like Friday the 13th 3-D. When movies got to the bottom of the barrel of their creativity and at the last gasp of their financial lifespan, they did a 3D version to get the last few drops of blood out of the turnip. And that’s not what’s happening now with 3-D.”

Pretty harsh words from a guy who just made an expensive movie about the Smurfs.

Piranha 3D producer Mark Canton replied to Cameron’s douchebaggery in a very lengthy letter. The really good and true part is in bold:

As a producer in the entertainment industry, Jim Cameron’s comments on VanityFair.com are very disappointing to me and the team that made Piranha 3D. Mr. Cameron, who singles himself out to be a visionary of movie-making, seems to have a small vision regarding any motion pictures that are not his own. It is amazing that in the movie-making process – which is certainly a team sport – that Cameron consistently celebrates himself out as though he is a team of one. His comments are ridiculous, self-serving and insulting to those of us who are not caught up in serving his ego and his rhetoric.

Jim, are you kidding or what? First of all, let’s start by you accepting the fact that you were the original director of PIRANHA 2 and you were fired. Shame on you for thinking that genre movies and the real maestros like Roger Corman and his collaborators are any less auteur or impactful in the history of cinema than you. Martin Scorcese made Boxcar Bertha at the beginning of his career. And Francis Ford Coppola made Dimentia 13 back in 1963. And those are just a few examples of the talented and successful filmmakers whose roots are in genre films. Who are you to impugn any genre film or its creators?

Having been deeply involved, as either an executive or as a producer, on Tim Burton’s original BATMAN and the first MEN IN BLACK, as well as 300, and now IMMORTALS, one of the things that has been consistent about all of the filmmakers involved in these landscape-changing global films is that, in each and every case, all of the directors were humbled by their predecessors, their colleagues and by their awareness of the great history of film that came before them. The enjoyment and the immersion of an audience in a movie theatre, as they had and will have with the above-mentioned films, and as audiences are experiencing with PIRNAHA 3D now, comes from the originality and the vision of the filmmaker, and not just from the creation of the technology. You as much as anyone certainly knows that there are many pieces to the puzzle. Going to the movies still remains, arguably, amongst the best communal experiences that human beings can share.

My sense is that Mr. Cameron has never seen PIRANHA 3D…certainly not in a movie theatre with a real audience. Jim, we invite you to take that opportunity and experience the movie in a theatre full of fans – fans for whom this movie was always intended to entertain.

Does Mr. Cameron have no idea of the painstaking efforts made by the talented young filmmaker Alex Aja and his team of collaborators? Clearly, and this one is a good bet, he has no clue as to how great and how much of a fun-filled experience the audiences who have seen the film in 3D have enjoyed. Those of us who have tried to stay in touch with the common movie audiences – the ones who really matter, the ones who actually still go to the theatre, put on the glasses, and eat the popcorn – take joy and pride in the fact that movies of all kinds, including PIRANHA 3D, have a place in filmmaking history – past, present and future. 3D unto itself is not a genre Jim, it is a tool that gives audiences an enhanced experience as they experience all kinds of movies. I believe Mr. Cameron did not see PIRANHA 3D either with any real audience or not at all. On opening weekend, I was in a Los Angeles theatre with a number of today’s great film makers including JJ Abrams, who actually had nothing short of the fabulous, fun 3D experience that the movie provides. I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like PIRANHA 3D.

What it comes down to, Jim, is – that like most things in life – size doesn’t really matter. Not everyone has the advantage of having endless amounts of money to play in their sandbox and to take ten years using other people’s money to make and market a film… like you do. Why can’t you just count your blessings? Why do you have to drop Marty Scorsese’s or Tim Burton’s names, both gentlemen who I have personally worked with, and who have enjoyed great joy and success with movies of all genres and sizes well before the advent of modern 3D? Then as now, they were like kids in a candy store recognizing, far beyond your imagination, the possibilities of storytelling and originality.

For the record, before you just totally dismiss PIRANHA 3D and all, in your opinion, worthless genre movies that actually undoubtedly gave you the ability to start your career, you should know that PIRANHA 3D had an 82% “fresh” (positive) ratting on Rotten Tomatoes on opening day – a web site that all the studios, filmmakers and the public use as a barometer of what makes a quality film.

We know that PIRANHA 3D has not achieved a boxoffice that is on the level of many of Mr. Cameron’s successes. To date, PIRANHA 3D has earned over $30 million around the globe with #1 openings in several countries. And, as the “fresh” rating on Rotten Tomatoes indicates, critics and many, many others have embraced and celebrated PIRANHA 3D for the fun and entertaining – and even smart – movie-going experience that it is.

Let’s just keep this in mind Jim… you did not invent 3D. You were fortunate that others inspired you to take it further. The simple truth is that I had nothing but good things to say about AVATAR and my own experience since I actually saw it and didn’t damn someone else’s talent publicly in order to disassociate myself from my origins in the business from which we are all very fortunate. To be honest, I found the 3D in AVATAR to be inconsistent and while ground breaking in many respects, sometimes I thought it overwhelmed the storytelling. Technology aside, I wish AVATAR had been more original in its storytelling.

We have to inspire, teach and mentor this next generation of filmmakers. It is garbage to suggest that any film or any filmmaker who cannot afford to work to your standards should be dissuaded from following his or her craft by not making 3D movies or not making movies like DISTRICT 9, for example, which probably cost the amount of AVATAR’s craft services budget, but totally rocked it in the movie theatre and in the marketplace. In that case, it was not a 3D movie. But had it been, it certainly would not have been any less original or impactful. The enormous worldwide success of AVATAR has been good in all respects for you, your financiers, your distributors and the industry, as well as for the movie going public. Jim, there is a difference between Maestro which is a word that garners respect, and Dictator or Critic which are words better left for others who are not in our mutual boat or on our team. You are one of the best, it is reasonable to think that you should dig deeper and behave like it. Young directors should be inspired by you, not publicly castigated by your mean-spirited and flawed analysis.

While we are all awed by your talents and your box office successes – and I compliment you on all of them – why don’t you rethink how you address films with which you are not involved? You should be taking the high road that is being travelled by so many of your peers, and pulling with them to ensure that we, as an industry, will have a continuum of talented filmmakers that will deliver a myriad of motion pictures both big and small, with 3D or any other technologies yet to come that will entertain audiences throughout the world. That is the challenge that we face. That is the future that we should deliver.

Peaches explained the situation on her Twitter:

“Me and Eli just got to the airport, someone had assigned Eli a guy to walk us thru to the lounge, cos there were paps he put me in a crazy headlock, he was totally wasted (drunk) and breathing his wino breath all over me & wouldn’t let me go! So weird! I’m not Mariah Carey dude wtf!?”

“Eli keeps saying ‘What just happened!?’ It was like a David Lynch-esque nightmare! Why was he wasted & shouting at airport security!? I wonder who that guy was cos there are about a million photos of me in a headlock!? Weirdest moment ever. I’m pissing myself laughing.”

“Eli said ‘we need to start a reality show: ‘Jersey Shore-Newark Airport Heat’ starring him, & Snooki. At this point anything seems possible.”

Check out the trailer below.

Archeology grad-student Victoria Keeting (Ashbrook) leads a quiet life except for maybe her interactions with her friend Kimberly Matthews (Maria Cristina), a rich party girl who is constantly trying to drag Victoria out to night clubs so that she can have an accomplice to not growing up. Until the day that Victoria stumbles upon old castle ruins and finds a box which contains the “Fire Stones” which once belonged to the fallen angel Lucifer (Wolfgang Meyer) before he was cast out of heaven.

Now a gate has been unlocked that will unleash a myriad of troubles for Victoria and all who surround her, friends and colleagues alike, as Lucifer is once again permitted to return to earth in human form.

Victoria’s troubles only continue as one of her friends is gruesomely murdered outside of the nightclub – “The Cave”. The owner Zuess (Slagle) may be involved, though Detective Stevens (Safko), thinks that Victoria might have some sort of connection to the killing.

Victoria also needs to get the fire stones authenticated, but doing so without having them and all her hard worked stripped from her is a difficult task. Under the suggestion of her friend Tammy White (Tammy VanderWiele) she gets help from Martina Bermann (Tara Punzone), a dominatrix with a doctorate in archeology. But Martina has a darker secret then her work in the sex trade. Martina does dark magic and is soon employed by Lucifer in his quest to retrieve his stones.

Will Victoria be able to learn the true secrets of the fire stones, before Lucifer kills all of her friends and comes to claim her soul as well?

I’m one of the few horror fans not threatened by the fact that Roth is attractive and confident, but how can I defend him when he is sticking his dick in this mess? Come on Eli get it together! I’m sure there are thousands of attractive chicks willing to go on drug binges with you… Unless Geldof is your retirement fund, then hats off to you my friend!

“I never figured this was anybody’s business but it seems as if everybody heard Stamos talking about on the The Stern Show. So here is a pic of the infamous hospital visit with my fucked up eyeball infection. If you didn’t hear about it basically I was hanging out and my eye blew up. Howard and Dr. Stamos rushed me to the hospital. My eye was saved.”

I’m glad it took three celebrities to save Zombie’s eye!

In other Twitter news; horror author Clive Barker was busy making comparisons to Harry Potter and Hellraiser while tweeting for his dick!

“I think of the rebirth of Voldemort in Harry P.A. touch of Hellraiser’s Resurrection of Frank in there,perhaps? but the film is a PG13?”

“Strange. My dick thinks it’s Wednesday.”

“@Songwind Damn right my dick has a day planner. Can you imagine the chaos if it called the Pope so that he can confess on the wrong day?”

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