The Boogeyman (1980)
Directed by Ulli Lommel
Have you ever wondered what would happen if you killed your mother’s abusive boyfriend in front of a mirror, then twenty years later broke that mirror, reassembled it, bled on it, and hung it up in your kitchen? If so, then “The Boogeyman” has the answer for you!
In this, “The original 1980 version,” as the DVD cover proudly exclaims, young Lacey and Willy are forced to play outside by their drunken slut of a mother while she fucks some random drunk on the couch. Those rascally kids get up to no good and start watching through the overly large, curtain-less window which is conveniently located directly in front of said couch. When mom sees this, she is none too pleased, and she and her lover, who is at this point wearing one of her stockings over his head, tie young Willy up and beat him. Afterwards, mom and the boyfriend retire to the appropriate place to have casual sex when you have children, a.k.a. the master bedroom, while Lacey runs downstairs and finds a kitchen knife with which to free her older brother. Willy proceeds to borrow a sequence from the original “Halloween,” and makes his way down the hallway using first person point of view while holding the knife directly in front of the camera. (Side note: young Willy magically becomes about six feet tall during this sequence.) Needless to say, Willy stabs the boyfriend while Lacey watches THROUGH THE MIRROR. Foreshadowing! Also, the boyfriend officially dies the moment a glob of blood bubbles up through his back with a hilarious “blub” sound. Kind of like that sound effect they use in “Ghostbusters” with the ectoplasm.
Continue reading ‘The Boogeyman (1980) Retro Horror Review’
Welcome to a time when movies had songs written exclusively to use the title in the chorus, nurses were sexy and smoked in the hospital hallways, and the host of a New Year’s Eve New Wave countdown show could be in her mid-40’s and still hip! Welcome to New Year’s Evil!
Published by Andrew June 12th, 2007
in NEWS.
The New York Times published a piece yesterday claiming Hostel 2’s weak opening put the nail in the coffin of the horror genre. The article cites the weak performance of Grindhouse, 28 Weeks Later, and most of last year’s horror releases as signs the genre is on it’s last legs, with Saw III the lone exception to the rule.
Maybe it’s the gay in me, but I love movies, tv, or comics where there is a lone female warrior facing down an army, a monster, or any other bad guy or gal in her way. There is something more visually exciting about a woman shooting a machine gun, or brandishing a sword, than there is when a guy does it. They just look cuter (I think I just took all the air out of any feminist arguement I may have tried here).
It was entertaining, particularly because Jason Todd Ipson, the film’s director, keeps making the very hot Scot Davis run around without his shirt on. (Thanks for the shower scene too!) It was worth the money and effort I spent to see it.
Published by Andrew November 16th, 2006
in Andrew Walsh's Archives and Horror BOOKS.
I haven’t cried while reading a book since the adaptation of ‘My Girl’ I read in the sixth grade (and I can’t believe I just admitted that). But ‘Cell’ took me there because I became so attatched to these characters and their mission.
Published by Andrew October 24th, 2006
in Andrew Walsh's Archives and Horror BOOKS.
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Published by Andrew September 15th, 2006
in Andrew Walsh's Archives and NEWS.
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